Insights · · By Soel Ngaba

What must appear in an artist’s contract

Les indispensables à connaître pour la signature d’un contrat artistique

Our practice is plain: Cameroonian and African artists still lack useful information about their rights. Engagements too often proceed without a written agreement. Instructing a specialist is not yet a reflex, despite the work of associations and of OAPI itself.

This note sets out the essential — sometimes mandatory — elements of an artist’s contract, aside from any membership of a collective-management organisation.

The Cameroonian frame

Literary and artistic property is not industrial property. In Cameroon the text is Act No. 2000/011 of 19 December 2000 on copyright and neighbouring rights.

The artist or performer holds moral and economic prerogatives. They alone set the terms of exploitation, take a return, control dissemination and see the work respected.

By an “artist’s contract” they authorise exploitation by specifying the rights assigned or licensed, the territory, the term and the purpose.

Common clauses

Other clauses to watch: ownership of the object does not transfer copyright; governing law (especially in cross-border contracts); termination; warranties and insurance; transport, delivery, conservation, return; means placed at the artist’s disposal on a commission or residency.

Prohibitions

Special rules exist for performance, publishing and audiovisual-production contracts.

Team EKEME LYSAGHT